Yura Kimakovych constructs human figures as if they were engineered. Working between abstraction and figuration, he reduces the body to planes, angles, and tensions — treating it less as an image than as a system under pressure. His forms remain controlled, yet never fully stable, existing between precision and collapse. 

After years of working in geometric abstraction, Kimakovych returned to the figure not to depict it, but to rebuild it through the logic of abstraction. In his practice, geometry becomes a tool for questioning how the human form is seen, remembered, and reconstructed. 

Born in Ukraine and based between Kraków and Berlin, he studied at the Academy of Fine Arts in Kraków. His work is held in private collections and has been presented internationally.